![]() ![]() Candlemass had been through a decade of lineup changes, a break-up in 1994, the Leif Edling side-project Abstract Algebra, and experimentation with their sound, which resulted in the albums "Chapter VI (1992)", "Dactylis Glomerata (1998)", and "From the 13th Sun (1999)". It´s the successor to "From the 13th Sun" from 1999 and features massive lineup changes since the predecessor and a major change in sound. The album was released through Nuclear Blast Records in May 2005. "Candlemass" is the eponymously titled 8th full-length studio album by Swedish doom metal act Candlemass. ![]() Showing only albums and EPs | Based on members ratings & MMA custom algorithm | 24 hours caching ![]() Click for Full Sub-Genre Chart traditional doom metal top albums Genre definition written by MorniumGoatahl. It's influence has also found it's way into a modern heavy psych scene through acts such as Blood Ceremony, Uncle Acid and Ides of Gemini. While antiquated, like with traditional heavy metal itself traditional doom metal is still a commonly played form of music with old guard artists like Pentagram still going and many new acts like Argus, Pallbearer, Spirit Adrift and perhaps most notably The Doomsday Kingdom, a new project of Candlemass founder Leif Edling, flying its flag. Candlemass especially has gone onto be arguably the best known act of traditional doom metal, with Epicus Doomicus Metallicus and the following album Nightfall in particular often credited as two of the genre's best albums along with Pentagram's self-titled debut, Trouble's Psalm 9 and Pagan Altar's self-titled debut (A.K.A. Both though are slightly later key acts of the sub-genre, with Candlemass releasing their debut Epicus Doomicus Metallicus in 1986 and Solitude Aeturnus being one of the key acts of the nineties. Acts such as Candlemass and Solitude Aeturnus are among those commonly credited with playing epic doom, though are usually branded under the traditional doom metal banner. Traditional doom metal is sometimes also known as Epic Doom Metal, though some use the two terms to mean different things and the latter isn't as widely recognised as the former and the two share many similarities, so it is better to consider epic doom to be a variant on traditional doom, that variation coming in the form of a classical influence to the doom sound, which may come in the form of operatic singing. Any dominate harsh or growled vocals typically preclude an artist or release from being considered traditional doom. What is considered essential in the genre is the use of clean, melodic vocals. This can come out in the music in the form of faster playing than that employed by other types of doom metal act, though it isn't considered essential for something to be traditional doom metal. Since then the doom metal genre has diversified considerably, including the development of other sub-genres including Death-Doom Metal, Funeral Doom Metal and Stoner Doom Metal, so the term doom metal on its own has come to be seen as a general term and traditional doom metal to be a sub-genre meaning something more specific, that being doom metal which still has strong ties to its heavy metal roots. Due to it appearing first, traditional doom metal is often seen to be an interchangeable term with doom metal, and in its early days that would have been fair. Two of these bands, Witchfinder General and Pagan Altar, were also heavily associated with the New Wave of British Heavy Metal, the only acts of the movement to be playing doom. Death Row), Witchfinder General, Pagan Altar, Trouble and Saint Vitus. Up until about 1985 the key founding doom metal acts were Pentagram (A.K.A. It can be seen as one of the earliest recognised forms of metal music, found as early as Heavy Metal itself through the work of Black Sabbath, who can be seen as the biggest influence on the development of the first actual doom metal acts in the late seventies and early eighties. Traditional Doom Metal is one of the sub-genres of the Doom Metal genre. ![]()
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